The Santa Ana Elks 2009 Sock Hop

Did You Know? - Coin-operated music boxes and player pianos were the first forms of automated coin-operated musical devices. These were soon followed in the 1890s by coin-operated phonographs. The introduction of recording on wax cylinder records made possible records which could survive many plays, and early operators converted cylinder phonographs to accept a coin, usually a nickel, which unlocked the mechanism, allowing the listener to turn a crank which simultaneously wound the spring motor and placed the reproducer's stylus in the starting groove. Frequently exhibitors would equip many of these machines with listening tubes (acoustic headphones) and array them in "phonograph parlors" allowing the patron to select between multiple records, each played on its own machine. Some machines even contained carousels and other mechanisms for playing multiple records. However, by the early 1900s the novelty of the phonograph wore off and this, combined with the advent of phonographs in the home, as well as the increasing sophistication and volume of mechanical orchestrions in public facilities, led to the decline of the coin-operated phonograph industry.

The advent of electrical recording and amplification led to a resurgence of the coin-operated phonograph.

One of the first successful selective jukeboxes was an automatic phonograph produced in 1927 by the Automated Musical Instrument Company, later known as AMI. With the passage of time the and development of technology new products are manufactured and consequently in 1928, Justus P. Seepburg, who manufactured player pianos, created an electrostatic loudspeaker combined with a record player that was coin operated and gave the listener a choice of eight records. The shellac 78 rpm record dominated jukeboxes until the Seeburg Corporation introduced an all 45 rpm vinyl record jukebox in 1950.

The term "juke box" came into use in the United States around 1940, apparently derived from the familiar usage "juke joint", derived from the Gullah word "juke" or "joog" meaning disorderly, rowdy, or wicked.

Did You Know? - The Ford Thunderbird began life in February 1953 in direct response to Chevrolet's new sports car, the Corvette, which was publicly unveiled in prototype form just a month before. Under rapid development, the Thunderbird went from idea to prototype in about a year, being unveiled to the public at the Detroit Auto Show on February 20, 1954. Like the Corvette, the Thunderbird had a two-seat coupe/convertible layout. Production of the Thunderbird began later on in 1954 on September 9 with the car beginning sales as a 1955 model on October 22, 1954. Though sharing some design characteristics with other Fords of the time, such as single, circular headlamps and tail lamps and modest tailfins, the Thunderbird was sleeker and more athletic in shape, and had features like a faux hood scoop and a 150 mph (240 km/h) speedometer hinting a higher performance nature that other Fords didn't possess. Mechanically though, the Thunderbird could trace its roots to other mainstream Fords. The Thunderbird's 102.0 inches (2,591 mm) wheelbase frame was mostly a shortened version of that used in other Fords while the car's standard 292 cu in (4.8 L) Y-block V8 came from Ford's Mercury division.

Though inspired by, and positioned directly against, the Corvette, Ford billed the Thunderbird as a personal luxury car, putting a greater emphasis on the car's comfort and convenience features rather than its inherent sportiness. Designations aside, the Thunderbird sold exceptionally well in its first year. In fact, the Thunderbird outsold the Corvette by more than 23-to-one for 1955 with 16,155 Thunderbirds sold against 700 Corvettes. With the Thunderbird considered a success, few changes were made to the car for 1956. The most notable change was moving the spare tire to a continental-style rear bumper in order to make more storage room in the trunk. However, the addition of the weight at the rear caused steering issues, and was changed back in 1957.

Did You Know? - Did you know? - A hula hoop is a toy hoop that is twirled around the waist, limbs, or neck. Hula hooping is fun. Although the exact origins of hula hoops are unknown, children and adults around the world have played with hoops, twirling, rolling and throwing them throughout history. Hula hoops for children generally measure approximately 28 inches in diameter, and those for adults around 40 inches. Traditional materials for hoops include willow, rattan (a flexible and strong vine), grapevines and stiff grasses. Today, they are usually made of plastic tubing.

Richard Knerr and Arthur "Spud" Melin, two University of Southern California college graduates unhappy with their employment, began the company in 1948 as WHAM-O Mfg. Co. in the Knerr family garage in South Pasadena, California. When they outgrew the garage they rented a building on S. Marengo Ave in Alhambra, California. The company eventually moved its manufacturing plant to neighboring San Gabriel, California. Their first market idea was a slingshot. The idea came up as the founders hurled meat into the air for the training of pet falcons and hawks. The name Wham-O was used because it was a term the founders used as a sound effect when they released the sling.

In 1957, Wham-O, still a fledgling company, took the idea of Australian bamboo "exercise hoops" and manufactured them with Marlex. The new Hula Hoop was born (the name "hula hoop" has been used since the 18th century). Knerr and Melin had created the biggest fad to date. Twenty-five million were sold in less than four months, and in two years sales reached more than 100 million units. By the end of 1959, after US$45 million in profits, the fad slowly was dying out.

Shortly after, they got lucky again with the Frisbee. In 1955 Fred Morrison began marketing a plastic flying disc which he called the "Pluto Platter". He sold the design to Wham-O in 1957 and the design was modified, the product renamed Frisbee and sales took off in 1959.

Did you know? - According to the Oxford English Dictionary, the origin of the term sundae is obscure. Various American localities have claimed to be the birthplace of the ice cream sundae. These claimants include Ithaca, New York; Two Rivers, Wisconsin; Plainfield, Illinois; Evanston, Illinois; New York City; New Orleans, Louisiana; Cleveland, Ohio; and Buffalo, New York. In recent years, officials in Two Rivers and Ithaca have used the controversy to gain publicity for their cities.

Of the many stories about the invention of the sundae, one frequent theme is the sinfulness of the ice cream soda and the need to produce a substitute for the popular treat for consumption on Sunday. The name 'sundae' was adopted from Illinois state's early prohibition of ice cream consumption on Sundays, because ice cream with a topping that obscured the main product was not deemed to be ice cream.

Some folks believe that ice cream sundaes were invented in Evanston, Illinois, in the late 19th century, when traders added syrup instead of soda because ice-cream soda was illegal on a Sunday; the dessert was called a "sundae" with an "e" so that religious leaders would not object.

Did You Know? - According to one account, in 1940, during the Blitz in London, a Canadian officer suggested to Al Tabor, a British bandleader of the 1920s, 1930s and 1940s that he write a party song with actions similar to "Under the Spreading Chestnut Tree". The inspiration for the song's title, "The Hokey Pokey", that resulted, came from an ice cream vendor whom Al had heard as a boy, calling out "Hokey pokey penny a lump. Have a lick make you jump".

He changed the name to "The Hokey Cokey" at the suggestion of the officer who said that 'hokey cokey', in Canada, meant 'crazy' and would sound better. A well known lyricist/songwriter/music publisher of the time, Jimmy Kennedy, reneged on a financial agreement to promote and publish it, and finally Al settled out of court, giving up all rights to the number. There had been many theories and conjectures about the meaning of the words "Hokey Pokey", and of their origin.

Did you know? - Some believe its origins were earlier than WWII.

 "A song rendered ("with appropriate gestures") by two Canterbury sisters while on a visit to Bridgewater, N.H. in 1857 starts thus:

I put my right hand in,
I put my right hand out,
I give my right hand a shake, shake shake
And I turn myself about.
As the song continues, the "left hand" is put in, then the "right foot," then the "left foot," then "my whole head."

Did you know? - Known as the Hokey Pokey, it became popular in the USA in the 1950s. Larry LaPrise, Charles Macak and Tafit Baker were granted the copyright for the song in 1950. According to popular legend they created this novelty dance in 1949 as entertainment for the ski crowd at Idaho's Sun Valley resort.

Did you know? - A gramophone record, commonly known as phonograph record, vinyl record (when made of polyvinyl chloride), or simply record, is an analog sound storage medium consisting of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the centre of the disc.

Gramophone records were the primary medium used for commercial music reproduction for most of the 20th century, replacing the phonograph cylinder by the 1920s. They were largely supplanted by the late 1980s by digital media, leaving the mainstream in 1991.

Did you know? - By 1925, the speed of the record became standardized at a nominal value of 78 rpm. However, the standard was to differ between America and the rest of the world. The actual 78 speed in America was 78.26 rpm, being the speed of 3600 rpm synchronous motor (run from 60 Hz supply) reduced by 46:1 gearing. Throughout the rest of the world, 77.92 rpm was adopted being the speed of a 3000 rpm synchronous motor powered by a 50 Hz supply and reduced by 38.5:1 gearing.